From my height, I see a wider world;
through my blue eyes, I reimagine it…
A career in advertising photography for leading agencies and magazines around the
world - alongside native-landscape restoration, the database systems that keep
organisations in order, vintage racing machines, and the family lines behind it all.
Northern California, my adopted home · Rural Shropshire, England, my roots
Index of practice
An accidental polymath
Image
Advertising photography
My main profession - making imaginative images for advertising agencies and
magazines in London, Paris, Johannesburg, São Paulo, Los Angeles, and
San Francisco (where I have been for more than thirty-five years). The images were
key to a campaign’s success - and to the standing of the people who
commissioned them.
Working with the likes of Rich Silverstein of Goodby, Silverstein & Partners, and with many other respected agencies and design companies here and throughout the USA.
Some campaigns, clients and awards from my years in the USA:
Fortune 500 and national accounts - General Motors · Ford · Citibank · Bank of America · Wells Fargo · Kaiser Permanente · Apple · Compaq · Dewar’s · and others
Non-profit and public campaigns - Jerry Mander’s Public Media Center · Just Say No · Rock the Vote · MADD · and others
Awards - Clio · One Show Pencils · ADDY · D&AD · and others
The photograph was often what the campaign was built around - mine to shape from the first idea to the finished image.
Drawing
Design & the built environment
As a naïve sixteen-year-old straight from a UK boarding school, I found a fortnight
as a draughtsman at Rolls-Royce was enough - a sea of identical drawing boards stretching
into the distance was not a life I could face. I found my way instead to a small
arts-and-crafts college, and from there to one of the leading art colleges of its
day, training in communication and design. A range of design work since - including
time in the Conran design world, and building custom homes from the ground up.
Privileged in my education, but with little experience of anything
beyond it, I felt an inner restlessness pulling me off the path that had been
chosen for me, until I blindly found my own.
Safety
Pedestrian-safety crash research
Contracted to the Transport & Road Research Laboratory, working on the British
Leyland SRV5 - a 1970s safety prototype - analysing high-speed film to find the
force at which the human body breaks. An ideal position to put my talents and
curiosity to use, for the thrill of researching as part of a team.
The thresholds we measured - the point at which bone and tissue fail -
became the evidence base for better design profiles and the pedestrian-impact standards now built into every car
sold in Europe. UK pedestrian deaths have fallen from roughly eight a day then to about
one today.
Perhaps the aptitude is inherited. A distant relative of mine, Mary Edwards of Ludlow (c. 1750-1815), spent some forty years as a human “computer” for the Board of Longitude, working out by hand the lunar tables in the Nautical Almanac that let a ship’s master find his longitude at sea. She was among the very few women in Georgian England paid for scientific work in her own name, and among the better paid of anyone doing it. Her daughter Eliza carried it on after her. A lifetime of arithmetic, done correctly, so that strangers at sea would know where they were.
Custody
Bonded courier, special operations
Three years with Loomis International carrying cash letters, diplomatic papers and high-value
instruments through Europe, into the Middle East and over the Atlantic, against the
Federal Reserve’s daily clock - the youngest on a team of hardened ex-servicemen with
pasts they never spoke of. That maturing youth only wanted to see the world, never
imagining he would be let into the inner workings of global banking.
For the giants of world finance in the 1970s - the analogue dawn of
modern money and technology, before the fax machine, let alone the likes of FedEx.
Flora
Native plant conservation & restoration
Years of restoration work in Northern California - seed sourcing, propagation, and
the long patience of bringing native habitat back on public and protected ground.
Along the way, designing and building an aquaponics system, and running an
educational nursery growing vegetable seedlings.
Work with the National Park Service, the Sierra Club, Save the Bay,
Hoopa Tribal Forestry, and Marin Master Gardeners.
Systems
Software & web systems
Designing and building database-driven web portals end to end - front-end,
API, and admin tooling - with a bias for clean, readable interfaces.
My early days were at Planet Point, a boutique web-design and development studio in Oakland in the early-to-mid 2000s, building for commercial artists and film-production companies: searchable artist portfolios, e-commerce stores, and password-protected screening rooms and press kits that let film-makers share dailies and manage distribution. It was built in ColdFusion (Allaire, then Macromedia, then Adobe) - the go-to tool for rapid, dynamic web work long before WordPress - and we had a hand in its development, running early builds against real client work and feeding what we found back to the people building it.
Marque
Racing machines: form and function
I suppose my respect for skilled engineering is what drew me into the world of
racing, alongside my other careers - manufacturing racing frames and engine parts,
and now specialising in former Grand Prix-winning machines. Always pulled towards machines
that are as beautiful as they are useful.
Restoration, fabrication, and the history behind each marque.
Land
Rural Shropshire, my roots
Born to a hill-farming family above the medieval market town of Ludlow. The chapter
I’m setting out on now is my own ground: family land in the Welsh Marches brought
back into careful stewardship, with traditional land management and native botany
in the spirit of Robert Hart’s forest gardening.
Flora & Field Stewardship - Marches Conservation, in its early days.
Compass
Core values
Originality & curiosity. Thinking beyond the
conventional, questioning the status quo, and constantly seeking new perspectives.
Continuous improvement. A relentless desire to make
things better - in my own work, and in the lives of others.
I have always known what I didn’t want to do, while staying perfectly comfortable not knowing what I did.
In short
What I’m capable of
I never planned any of this. Each turn arrived by chance - a temporary contract,
a phone call, a stranger’s good advice - and I had the sense to follow it rather
than force a straighter line.
What holds it together is a habit, not a plan: understanding a thing - a
photograph, an engine, a hillside, a database - well enough to make it work, then
doing it by hand. The trades kept changing; the curiosity didn’t.
These days that means native ground brought back from seed, web systems built
with care, and old machines and family history kept alive - between Northern
California and the Shropshire hills I came from. I take on briefs - the less familiar
the problem, the more interested I get.